Viewed as "a broad, resonant baritone that is exquisitely controlled throughout his entire range," Zachary Lenox has performed leading roles across North America. His most recent performances include the bass soloist for Bravo Northwest’s Beethoven 9 and Frank in Die Fledermaus. Upcoming performances for Mr. Lenox include the Don Alfonso in Ping & Woof’s Così fan tutti in Hood River, El Dancaïro in Opera Bend's Carmen, Harold in Opera Bend’s world premier of Via Lactea, and also Father in Portland Opera To Go’s Hansel and Gretel.
Zachary has been a young artist at the Boston Early Music Festival, Napa Music Festival, Hawaii Performing Arts Festival, the Toronto Summer Opera Workshop and Astoria Music Festival. His operatic performances include the roles of Sid in Brittens’ Albert Herring, Melisso in Handel’s Alcina, Don Giovanni in Mozart's Don Giovanni, Guglielmo in Mozart's Così fan tutte, Gianni Schicci and Betto in Puccini'sGianni Schicci, Ottone in Monteverdi's L'incoronazione di Poppea, Papageno in Mozart's Die Zauberflöte, as well as Vater in Humperdinck's Hänsel und Gretel. He has also covered the roles of Plunket in Flowtow's Martha, Antinoo in Monteverdi's Il ritorno d'Ulisse in patria, Sarastro in Mozart's Die Zauberflöte and Aeneas in Purcell's Dido and Aeneas.
Zachary's concert and oratorio work includes the bass soloist in Handel's Messiah, Bach's Coffee Contata, Schubert's Mass in G, as well as the Mozart, Faure, and Verdi Requiems. He has also performed Bach's BWV 56, Ich will den Kreizstab, Finzi's By Footpath and Style, and Mahler's Lieder eines fahrenden gesellen which he performed on his Master's recital with chamber orchestra and piano.
Zachary received his master’s degree in Vocal Performance from the Crane School of Music in 2012 and currently studies with Ruth Dobson.